Altonโ€™s Blog

Matthew Matlack Matthew Matlack

Lady in Pink

The first time I saw โ€œMamaโ€ she was climbing out of a jitney in front of the Nassau Beach Hotel where she worked. She had kind eyes and a warm smile so I said, โ€œGood morning.โ€ She replied, โ€œGood morning, my darling.โ€ That was the beginning of our friendship.

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Fred

Fred was fourteen when, legally a man, he joined his father in the crawfishing business as first mate on the โ€œStambaโ€ followed shortly after on the โ€œMary Ann Kateโ€. The MAK was his home at sea for many years.

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Matthew Matlack Matthew Matlack

White With a Touch of Red

There are those who call the rose the Queen of Flowers; others choose the orchid; but to my mind the tropical hibiscus ranks alongside these beautiful blooms. Over the years I have painted a large number of hibiscus.

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Summer Visit

Hope Town was founded in 1785 by Wyannie Malone and her four children from Charleston, South Carolina. The town has slowly grown over the years and today is a popular tourist destination.

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Delicious

How did I know? Well, I know because I ate the tangerine and most of the grapes. It was a race against time. I remember it well. In fact, although I normally work from back to front in a still life painting, for this one I finished painting the tangerine first and then the grapes. Why? Because the tangerine looked so delicious I had to eat it before it spoiled! As for the grapes, they made a very pleasant (and refreshing) repast the next day. Sometimes there is more to a painting than the viewer may realize.

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Matthew Matlack Matthew Matlack

A National Treasure

For over one hundred years the Royal Bahamas Police Force Band has been at the center of official government celebrations, as well as on informal occasions throughout The Bahamas. This is one of a number of paintings I did of the band over the years.

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The Albert Lowe Museum

My cousin Colin Lowe wrote the following piece many years ago. He also wrote some labels covering artifacts in the museum. Colin wrote for The Nassau Tribune after graduating from the University of Miami with a degree in journalism.

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Matthew Matlack Matthew Matlack

Summer Dream

Who could ask for more? Looking at this painting with the little houses lining the creek shore, birds quietly flying from dock to post and out over the water. A light breeze blowing and a sky radiant blue. It is a dream of summer that lives in my memory and, thankfully, is renewed each year on Green Turtle Cay and many of the Bahamian islands.

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Matthew Matlack Matthew Matlack

Annual Visitor

For a young boy of 5, it was an extraordinary adventure. Many years ago in summer, Daddy asked me if I wanted to go to the beach with him and my uncle, Carl, to collect turtle eggs. Of course, I said, yes. That night after dark, we set off from the village in daddyโ€™s boat with him sculling (there being no motor on the dinghy).

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Matthew Matlack Matthew Matlack

Digging for Cockleshells

I have always loved this painting. It hung for many years in my dining room on Green Turtle Cay until it was lost in Hurricane Dorian. In the painting, 4 children are shown digging cockleshells from the sands at Gillam Bay.

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Matthew Matlack Matthew Matlack

A Prayer for Our Country

As I look at a reproduction of this beautiful painting, so many memories flood into my mind. It seems only a short time ago that the Government of The Bahamas sent me to San Salvador to create a series of paintings for the 500th anniversary of Columbus landing in the New World. The result, was a wonderful series of stamps depicting the arrival and landing, as well as images of Lucayan society at the time.

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Matthew Matlack Matthew Matlack

Bunce Gal

๐˜›๐˜ฉ๐˜ช๐˜ด ๐˜ญ๐˜ช๐˜ต๐˜ต๐˜ญ๐˜ฆ ๐˜จ๐˜ช๐˜ณ๐˜ญ ๐˜ฑ๐˜ถ๐˜ต ๐˜ข ๐˜ฃ๐˜ช๐˜จ ๐˜ด๐˜ฎ๐˜ช๐˜ญ๐˜ฆ ๐˜ฐ๐˜ฏ ๐˜ฎ๐˜บ ๐˜ง๐˜ข๐˜ค๐˜ฆ ๐˜ธ๐˜ฉ๐˜ฆ๐˜ฏ ๐˜ ๐˜ด๐˜ข๐˜ธ ๐˜ฉ๐˜ฆ๐˜ณ ๐˜ฑ๐˜ข๐˜ณ๐˜ข๐˜ฅ๐˜ช๐˜ฏ๐˜จ ๐˜ฅ๐˜ฐ๐˜ธ๐˜ฏ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ด๐˜ต๐˜ณ๐˜ฆ๐˜ฆ๐˜ต ๐˜ฐ๐˜ฏ ๐˜Ž๐˜ณ๐˜ฆ๐˜ฆ๐˜ฏ ๐˜›๐˜ถ๐˜ณ๐˜ต๐˜ญ๐˜ฆ ๐˜Š๐˜ข๐˜บ ๐˜•๐˜ฆ๐˜ธ ๐˜ ๐˜ฆ๐˜ข๐˜ณโ€™๐˜ด ๐˜‹๐˜ข๐˜บ ๐˜ฎ๐˜ข๐˜ฏ๐˜บ ๐˜บ๐˜ฆ๐˜ข๐˜ณ๐˜ด ๐˜ข๐˜จ๐˜ฐ. ๐˜š๐˜ฆ๐˜ญ๐˜ง-๐˜ค๐˜ฐ๐˜ฏ๐˜ง๐˜ช๐˜ฅ๐˜ฆ๐˜ฏ๐˜ต, ๐˜ด๐˜ข๐˜ถ๐˜ค๐˜บ ๐˜ข๐˜ฏ๐˜ฅ ๐˜ฑ๐˜ณ๐˜ฐ๐˜ถ๐˜ฅ, ๐˜ด๐˜ฉ๐˜ฆ ๐˜ญ๐˜ฐ๐˜ฐ๐˜ฌ๐˜ด ๐˜ฐ๐˜ถ๐˜ต ๐˜ข๐˜ต ๐˜ต๐˜ฉ๐˜ฆ ๐˜ท๐˜ช๐˜ฆ๐˜ธ๐˜ฆ๐˜ณ ๐˜ธ๐˜ช๐˜ต๐˜ฉ ๐˜ข ๐˜ฃ๐˜ฆ๐˜จ๐˜ถ๐˜ช๐˜ญ๐˜ช๐˜ฏ๐˜จ ๐˜จ๐˜ญ๐˜ข๐˜ฏ๐˜ค๐˜ฆ ๐˜ต๐˜ฉ๐˜ข๐˜ต ๐˜ธ๐˜ฐ๐˜ถ๐˜ญ๐˜ฅ ๐˜ธ๐˜ช๐˜ฏ ๐˜ฐ๐˜ท๐˜ฆ๐˜ณ ๐˜ข๐˜ฏ๐˜บ๐˜ฐ๐˜ฏ๐˜ฆ. ๐˜š๐˜ฉ๐˜ฆ ๐˜ด๐˜ต๐˜ข๐˜ฏ๐˜ฅ๐˜ด ๐˜ต๐˜ฉ๐˜ฆ๐˜ณ๐˜ฆ ๐˜ธ๐˜ช๐˜ต๐˜ฉ ๐˜ค๐˜ฐ๐˜ธ๐˜ฃ๐˜ฆ๐˜ญ๐˜ญ๐˜ด ๐˜ช๐˜ฏ ๐˜ฆ๐˜ข๐˜ค๐˜ฉ ๐˜ฉ๐˜ข๐˜ฏ๐˜ฅ ๐˜ณ๐˜ฆ๐˜ข๐˜ฅ๐˜บ ๐˜ต๐˜ฐ ๐˜ฎ๐˜ข๐˜ณ๐˜ค๐˜ฉ ๐˜ช๐˜ฏ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ข๐˜ฏ๐˜ฏ๐˜ถ๐˜ข๐˜ญ ๐˜ฑ๐˜ข๐˜ณ๐˜ข๐˜ฅ๐˜ฆ.

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Matthew Matlack Matthew Matlack

Queen Street

Tucked away in the center of Nassau is Queen Street, a mix of thirteen properties, including the American Embassy. In the early years of my career, I was fortunate enough to rent a small apartment on the street during my annual show.

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Matthew Matlack Matthew Matlack

Behind the Wall

๐˜›๐˜ฉ๐˜ช๐˜ด ๐˜ช๐˜ด ๐˜ข ๐˜ฑ๐˜ข๐˜ช๐˜ฏ๐˜ต๐˜ช๐˜ฏ๐˜จ ๐˜ ๐˜ฅ๐˜ช๐˜ฅ ๐˜ฐ๐˜ง ๐˜ข ๐˜ฉ๐˜ข๐˜ฏ๐˜ฅ๐˜ด๐˜ฐ๐˜ฎ๐˜ฆ ๐˜ต๐˜ธ๐˜ฐ-๐˜ด๐˜ต๐˜ฐ๐˜ณ๐˜บ ๐˜ฉ๐˜ฐ๐˜ฎ๐˜ฆ ๐˜ช๐˜ฏ ๐˜‹๐˜ถ๐˜ฏ๐˜ฎ๐˜ฐ๐˜ณ๐˜ฆ ๐˜›๐˜ฐ๐˜ธ๐˜ฏ ๐˜ฐ๐˜ฏ ๐˜๐˜ข๐˜ณ๐˜ฃ๐˜ฐ๐˜ถ๐˜ณ ๐˜๐˜ด๐˜ญ๐˜ข๐˜ฏ๐˜ฅ. ๐˜›๐˜ฉ๐˜ฆ ๐˜ท๐˜ช๐˜ด๐˜ช๐˜ต๐˜ฐ๐˜ณ๐˜ด ๐˜ด๐˜ฆ๐˜ฆ๐˜ช๐˜ฏ๐˜จ ๐˜ช๐˜ต ๐˜ง๐˜ฐ๐˜ณ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ง๐˜ช๐˜ณ๐˜ด๐˜ต ๐˜ต๐˜ช๐˜ฎ๐˜ฆ ๐˜ธ๐˜ช๐˜ญ๐˜ญ ๐˜ฃ๐˜ฆ ๐˜ด๐˜ถ๐˜ณ๐˜ฑ๐˜ณ๐˜ช๐˜ด๐˜ฆ๐˜ฅ ๐˜ต๐˜ฐ ๐˜ฌ๐˜ฏ๐˜ฐ๐˜ธ ๐˜ฉ๐˜ฐ๐˜ธ ๐˜ญ๐˜ถ๐˜น๐˜ถ๐˜ณ๐˜ช๐˜ฐ๐˜ถ๐˜ด ๐˜ต๐˜ฉ๐˜ฆ ๐˜ฉ๐˜ฐ๐˜ฎ๐˜ฆ ๐˜ช๐˜ด ๐˜ฃ๐˜ฆ๐˜ฉ๐˜ช๐˜ฏ๐˜ฅ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ธ๐˜ข๐˜ญ๐˜ญ. ๐˜š๐˜ต๐˜ช๐˜ญ๐˜ญ ๐˜ฎ๐˜ฐ๐˜ณ๐˜ฆ ๐˜ด๐˜ถ๐˜ณ๐˜ฑ๐˜ณ๐˜ช๐˜ด๐˜ช๐˜ฏ๐˜จ, ๐˜ช๐˜ด ๐˜ง๐˜ช๐˜ฏ๐˜ฅ๐˜ช๐˜ฏ๐˜จ ๐˜ข ๐˜ญ๐˜ข๐˜ณ๐˜จ๐˜ฆ ๐˜ฐ๐˜ถ๐˜ต๐˜ด๐˜ช๐˜ฅ๐˜ฆ ๐˜ฌ๐˜ช๐˜ต๐˜ค๐˜ฉ๐˜ฆ๐˜ฏ ๐˜ฃ๐˜ฆ๐˜ฉ๐˜ช๐˜ฏ๐˜ฅ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ฉ๐˜ฐ๐˜ถ๐˜ด๐˜ฆ. ๐˜›๐˜ฉ๐˜ช๐˜ด ๐˜ช๐˜ด ๐˜ฐ๐˜ฏ๐˜ฆ ๐˜ฐ๐˜ง ๐˜ต๐˜ฉ๐˜ฆ ๐˜ฆ๐˜ข๐˜ณ๐˜ญ๐˜บ ๐˜ค๐˜ฐ๐˜ญ๐˜ฐ๐˜ฏ๐˜ช๐˜ข๐˜ญ ๐˜ฉ๐˜ฐ๐˜ฎ๐˜ฆ๐˜ด. ๐˜๐˜ต ๐˜ช๐˜ด ๐˜ช๐˜ฏ ๐˜ด๐˜ถ๐˜ฑ๐˜ฆ๐˜ณ๐˜ฃ ๐˜ค๐˜ฐ๐˜ฏ๐˜ฅ๐˜ช๐˜ต๐˜ช๐˜ฐ๐˜ฏ ๐˜ข๐˜ฏ๐˜ฅ ๐˜ญ๐˜ฐ๐˜ท๐˜ช๐˜ฏ๐˜จ๐˜ญ๐˜บ ๐˜ค๐˜ข๐˜ณ๐˜ฆ๐˜ฅ ๐˜ง๐˜ฐ๐˜ณ ๐˜ฃ๐˜บ ๐˜ช๐˜ต๐˜ด ๐˜ฐ๐˜ธ๐˜ฏ๐˜ฆ๐˜ณ๐˜ด.

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Matthew Matlack Matthew Matlack

Friends

๐˜๐˜ต ๐˜ช๐˜ด ๐˜ฅ๐˜ช๐˜ง๐˜ง๐˜ช๐˜ค๐˜ถ๐˜ญ๐˜ต ๐˜ง๐˜ฐ๐˜ณ ๐˜ฎ๐˜ฆ ๐˜ต๐˜ฐ ๐˜ฃ๐˜ฆ๐˜ญ๐˜ช๐˜ฆ๐˜ท๐˜ฆ ๐˜ต๐˜ฉ๐˜ช๐˜ด ๐˜ค๐˜ฉ๐˜ข๐˜ณ๐˜ฎ๐˜ช๐˜ฏ๐˜จ ๐˜จ๐˜ช๐˜ณ๐˜ญ ๐˜ข๐˜ฏ๐˜ฅ ๐˜ฉ๐˜ฆ๐˜ณ ๐˜ญ๐˜ช๐˜ต๐˜ต๐˜ญ๐˜ฆ ๐˜ฅ๐˜ฐ๐˜จ ๐˜ธ๐˜ฆ๐˜ณ๐˜ฆ ๐˜ฑ๐˜ข๐˜ช๐˜ฏ๐˜ต๐˜ฆ๐˜ฅ ๐˜ข๐˜ญ๐˜ฎ๐˜ฐ๐˜ด๐˜ต ๐˜ง๐˜ช๐˜ง๐˜ต๐˜บ ๐˜บ๐˜ฆ๐˜ข๐˜ณ๐˜ด ๐˜ข๐˜จ๐˜ฐ. ๐˜›๐˜ฉ๐˜ฆ ๐˜ฑ๐˜ข๐˜ช๐˜ฏ๐˜ต๐˜ช๐˜ฏ๐˜จ ๐˜ข๐˜ฑ๐˜ฑ๐˜ฆ๐˜ข๐˜ณ๐˜ฆ๐˜ฅ ๐˜ช๐˜ฏ ๐˜ฎ๐˜บ ๐˜ฆ๐˜น๐˜ฉ๐˜ช๐˜ฃ๐˜ช๐˜ต๐˜ช๐˜ฐ๐˜ฏ ๐˜ฐ๐˜ง ๐Ÿฃ๐Ÿซ๐Ÿฉ๐Ÿง ๐˜ข๐˜ฏ๐˜ฅ ๐˜ธ๐˜ข๐˜ด ๐˜ฑ๐˜ถ๐˜ณ๐˜ค๐˜ฉ๐˜ข๐˜ด๐˜ฆ๐˜ฅ ๐˜ฐ๐˜ฑ๐˜ฆ๐˜ฏ๐˜ช๐˜ฏ๐˜จ ๐˜ฏ๐˜ช๐˜จ๐˜ฉ๐˜ต.

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Matthew Matlack Matthew Matlack

After The Rain

๐˜๐˜ข๐˜ณ๐˜ฃ๐˜ฐ๐˜ถ๐˜ณ ๐˜๐˜ด๐˜ญ๐˜ข๐˜ฏ๐˜ฅ ๐˜ช๐˜ด ๐˜ฐ๐˜ฏ๐˜ฆ ๐˜ฐ๐˜ง ๐˜ต๐˜ฉ๐˜ฆ ๐˜ฎ๐˜ฐ๐˜ด๐˜ต ๐˜ฑ๐˜ช๐˜ค๐˜ต๐˜ถ๐˜ณ๐˜ฆ๐˜ด๐˜ฒ๐˜ถ๐˜ฆ ๐˜ฐ๐˜ง ๐˜ต๐˜ฉ๐˜ฆ ๐˜–๐˜ถ๐˜ต ๐˜๐˜ด๐˜ญ๐˜ข๐˜ฏ๐˜ฅ๐˜ด. ๐˜๐˜ต ๐˜ฉ๐˜ข๐˜ด ๐˜ฎ๐˜ข๐˜ฏ๐˜บ ๐˜ด๐˜ฎ๐˜ข๐˜ญ๐˜ญ, ๐˜ฃ๐˜ฆ๐˜ข๐˜ถ๐˜ต๐˜ช๐˜ง๐˜ถ๐˜ญ ๐˜ค๐˜ฐ๐˜ต๐˜ต๐˜ข๐˜จ๐˜ฆ๐˜ด ๐˜ช๐˜ฏ ๐˜‹๐˜ถ๐˜ฏ๐˜ฎ๐˜ฐ๐˜ณ๐˜ฆ ๐˜›๐˜ฐ๐˜ธ๐˜ฏ ๐˜ญ๐˜ช๐˜ฌ๐˜ฆ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ฐ๐˜ฏ๐˜ฆ ๐˜ช๐˜ฏ ๐˜ต๐˜ฉ๐˜ช๐˜ด ๐˜ฑ๐˜ข๐˜ช๐˜ฏ๐˜ต๐˜ช๐˜ฏ๐˜จ. ๐˜๐˜ช๐˜ด๐˜ช๐˜ต๐˜ช๐˜ฏ๐˜จ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ช๐˜ด๐˜ญ๐˜ข๐˜ฏ๐˜ฅ ๐˜ช๐˜ด ๐˜ข ๐˜ต๐˜ณ๐˜ช๐˜ฑ ๐˜ฃ๐˜ข๐˜ค๐˜ฌ ๐˜ช๐˜ฏ ๐˜ต๐˜ช๐˜ฎ๐˜ฆ. ๐˜›๐˜ฉ๐˜ฆ ๐˜ง๐˜ช๐˜ณ๐˜ด๐˜ต ๐˜ด๐˜ฆ๐˜ต๐˜ต๐˜ญ๐˜ฆ๐˜ณ๐˜ด ๐˜ค๐˜ข๐˜ฎ๐˜ฆ ๐˜ช๐˜ฏ ๐Ÿฃ๐Ÿจ๐Ÿฆ๐Ÿช, ๐˜ง๐˜ฐ๐˜ญ๐˜ญ๐˜ฐ๐˜ธ๐˜ฆ๐˜ฅ ๐˜ฃ๐˜บ ๐˜ต๐˜ฉ๐˜ฆ ๐˜“๐˜ฐ๐˜บ๐˜ข๐˜ญ๐˜ช๐˜ด๐˜ต๐˜ด ๐˜ช๐˜ฏ ๐Ÿฃ๐Ÿฉ๐Ÿช๐Ÿฅ. ๐˜›๐˜ฉ๐˜ฆ ๐˜ซ๐˜ฆ๐˜ธ๐˜ฆ๐˜ญ ๐˜ฐ๐˜ง ๐˜ต๐˜ฉ๐˜ฆ ๐˜ช๐˜ด๐˜ญ๐˜ข๐˜ฏ๐˜ฅ ๐˜ช๐˜ด ๐˜ต๐˜ฉ๐˜ฆ ๐˜ฑ๐˜ช๐˜ฏ๐˜ฌ ๐˜ด๐˜ข๐˜ฏ๐˜ฅ ๐˜ฃ๐˜ฆ๐˜ข๐˜ค๐˜ฉ ๐˜ธ๐˜ฉ๐˜ช๐˜ค๐˜ฉ ๐˜ด๐˜ต๐˜ณ๐˜ฆ๐˜ต๐˜ค๐˜ฉ๐˜ฆ๐˜ด ๐˜ง๐˜ฐ๐˜ณ ๐˜ด๐˜ฐ๐˜ฎ๐˜ฆ ๐˜ต๐˜ฉ๐˜ณ๐˜ฆ๐˜ฆ ๐˜ฎ๐˜ช๐˜ญ๐˜ฆ๐˜ด ๐˜ฐ๐˜ฏ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ฆ๐˜ข๐˜ด๐˜ต๐˜ฆ๐˜ณ๐˜ฏ ๐˜ด๐˜ช๐˜ฅ๐˜ฆ ๐˜ฐ๐˜ง ๐˜ต๐˜ฉ๐˜ฆ ๐˜ช๐˜ด๐˜ญ๐˜ข๐˜ฏ๐˜ฅ.

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Matthew Matlack Matthew Matlack

Gifts from the Sea

A collection of objects, known as a still life, often arouses a curiosity from the onlooker. Why did the painter choose these particular objects? How do they relate to each other? What, if any, is their meaning? Are they simply interesting objects which have caught the painterโ€™s eye?

In this painting, which I called โ€œGifts From the Seaโ€, the conch shell holds center stage. Years ago conch was so plentiful that it easily provided a full meal in the many ways it could be prepared. As any Bahamian knows, conch fritters are a favorite as well as conch salad, conch chowder, cracked conch and scorched conch.

To one side of the shell is a double candlestick supported by a sea creature. On the other side is a seagull and in the foreground are cockle shells. I balanced these gifts from the sea with a lovely sea blue double vase, a gift from friends in Gatlinburg when I left our summer gallery for art study in New York City.

Each of these objects have meaning for me. Sadly, they have all been lost in a recent hurricane. Still, their beauty remains captured in this painting. - Alton

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Matthew Matlack Matthew Matlack

A Morninโ€™ Stroll

Nassau in June has always seemed to me to be one of the most beautiful places on earth. The city is blessed with hundreds of Royal Poinciana trees, all in full bloom during the month. The first time I saw this spectacular sight I was very young while on a visit to see my sister, Iva. She drove me around the island and we saw tree after tree in colours ranging from deep red through orange and even yellow. I learned later that there is even a very rare white version which, to my knowledge, we do not have in New Providence.

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Matthew Matlack Matthew Matlack

The Deanery

I have tried to paint as many of the old houses as possible with the idea that time and hurricanes will see most of them disappear. Hopefully, The Deanery, which is the subject of this painting from 1979, will be an exception.

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Matthew Matlack Matthew Matlack

Feeding the Gulls

Sometimes the simplest activities in life give us the most satisfaction. One of those activities was feeding the gulls in front of our family home on lazy afternoons. I can fondly remember my father and his sister tearing up old pieces of bread and throwing them to the Laughing Gulls, which were so numerous in the summer on Green Turtle Cay. This painting shows them surrounded by the gulls eagerly awaiting their treat.

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